We sweep the dust back
into the cracks
between old oak floorboards.
Each day I see patterns in their
grains that point to
shapes, this time
rabbits and deer, like
pictographs on stone. One day the
permanent lines traced by
stress or insects
shift themselves like
candle-lit shadows and suddenly I see
two round, empty sockets in my floor.
Now I avoid that place
skip the room altogether most days,
avert my eyes if I have to walk through;
scared of their stare, so much
stronger than my own, so much more.